The limited nature of the Goddess was further refined by man. He was intrigued by the birth of the universe and in turn his own birth. He wanted to give Shakti a better representation. So only the stone depiction was modified as Lajjagauri (first female figure with womb). Lajjagouri was initially a two-dimensional figure.

Over the years the power represented by Parvati 3 and Durga 4 also manifested in three different forms of Mahalakshmi, Mahakali and Mahasaraswati. "The story composed by Devi Mahatma presents a dispossessed king, a merchant betrayed by his family, and a sage whose teachings lead them both beyond the suffering of existence. The sage directs Mahakali by describing three different epic battles between the Devi (goddess) and various demonic enemies, respectively. , ruled by Mahalakshmi and Mahasaraswati. Goddess Mahalakshmi is depicted here as Shakti in her cosmic form. The world was attacked by Mahishasura, who assumed many different forms .Fearing complete destruction, the male gods gave Durga their powers.The goddess was described as eighteen-armed string of beads, war axe, arrow, thunderbolt, lotus, bow, water pot, spear, shield, conch, bell, vine, trident. , the noose and discus Sudarshan is of coral color and she is known as Ashta Dasa Bhuja Mahalakshmi in battle, she kills the buffalo by cutting off its head and then destroys the demon's spirit that emerges from the buffalo's severed neck. It was through this law that order was established in the world.” Eventually the above description of Goddess Mahalakshmi appeared as an idol. Evolution is gradual. The two-dimensional concept of Lajjagauri evolved into a three-dimensional form when the art of idol-making began. In this way, idols of goddesses in various incarnations of Durga were created. 500 B.C. From 300 to 300 AD, Buddhism and Jainism had a major influence on the Indian population. This was the period when cave architecture, cave paintings and cave sculpture developed. Monks, traders and travelers of that time preferred the safety of caves in hills and mountains to protect themselves from wild beasts and other natural forces. It was during the Buddhist period that the day of making idols dawned. Yet not many temples have been found during that period. Later, as the human settlements along the rivers and seas grew rapidly, the political leaders of the time promoted the Vedic culture and temples came into being.

From the 2nd to the 5th century AD, foreign rulers like the Shaka, Kshatrapa and Naga dynasties ruled parts of India. This army was destroyed by Gupta kings Samudragupta, Chandraputa II Vikramaditya, Kumaragupta, Skandhagupta. In fact, King Srigupta married a woman from the Lichhavi clan and kicked off the Gupta rule in India. Later Vikramaditya defeated foreign rulers like Shakas and Kshatraps and established independent local kingdoms. This change in political leadership led to the revival of Vedic culture. Till then India was united under one political head worshiped by Lord Vishnu. This era, which lasted from 300 to 500 AD, saw the dawn and rise of the Bhagavata cult in India. This cult includes the worship of Vishnu and his consort Lakshmi. This was the stage when temples started contracting in India.

Vedic culture encouraged the establishment of religious literature and places of pilgrimage. Lakshmi was one of them. As soon as she emerged she became the consort of Lord Vishnu who is one of the three Gods forming the Holy Trinity (Brahma, Vishnu, Mahesh). This goddess of incomparable beauty was the female representation of universal wealth. Eight forms of the goddess dwell in her, Dhanalakshmi (bestows wealth), Dhanalakshmi (bestows crops), Dhariyalakshmiji (bestows courage), Shauryalakshmi (bestows bravery), Kirtilakshmi (bestows fame), Vinayalakshmi (bestows modesty), Rajyalakshmi (bestows courage). confers modesty)